Pop Mythology Pop Mythology: Movie, Book, Comic and Game reviews & commentary
Why are there so many bad people in the world? Or, maybe the question should …
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1 min ago
REVIEW: ‘Toy Story 4’ is Pixar’s attempt to move on
As we watch Woody pondering the next step after fulfilling his initial purpose, we see Pixar doing t…
2 days ago
Captain Kirk’s Weekly Comic Review – 06/19/2019
Why are there so many bad people in the world? Or, maybe the question should be: why are there so ma…
4 days ago
The welcoming Spider-Verse: Finding your ‘self’ in a web of others
All of culture is a vast web of connections in which we are more deeply connected than we ever knew.…
1 week ago
Captain Kirk’s Weekly Comic Review – 06/12/2019
There are terrible things that happen in the world but there are also terrible people who make these…
2 weeks ago
REVIEW: ‘Dark Phoenix’ is bad—not funny-bad or offensive-bad, just bad
[*No spoiler review*] As the credits rolled to close Dark Phoenix I looked over to the friend who fo…
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REVIEW: ‘Toy Story 4’ is Pixar’s attempt to move on
As we watch Woody pondering the next step after fulfilling his initial purpose, we see Pixar doing the same with 'Toy Story 4.'
Read More » -
The welcoming Spider-Verse: Finding your ‘self’ in a web of others
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REVIEW: ‘Dark Phoenix’ is bad—not funny-bad or offensive-bad, just bad
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REVIEW: ‘Avengers: Endgame’ does the impossible
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REVIEW: Kids will enjoy ‘Shazam!’ but as for anyone else….
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REVIEW: Go underground with the preppers for ‘Apocalypse Any Day Now’
Tea Krulos takes another look at eccentric Americans in 'Apocalypse Any Day Now.' As usual, he lets his oddball subjects speak for themselves without rendering overt comment on their beliefs. Krulos’ engagement with this world helps his subjects open up to him and also makes for a more entertaining book than a more conventional, arms-length journalistic exercise. 'Apocalypse Any Day Now' is a fun and funny, but never mocking, dive into the bizarre world of doomsday preppers.
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REVIEW: ‘Blood Communion’ helps us come to terms with our mortality
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REVIEW: ‘What Remains of Her’ is Eric Rickstad’s best one yet
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REVIEW: ‘Death Doesn’t Bargain’ doesn’t entertain
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REVIEW: Christopher Rice explores new genre territory in gripping ‘Bone Music’