The final sequence of Zero Dark Thirty, in particular, while clearly predictable, is a tense and immaculately executed work of military drama.

I recently attended a spoken word performance by my friend and Pop Mythology contributor Jess Kroll. I loved his piece, "This Little Light," so much, and thought that it resonated with the themes of this site so well, that I asked him to post it here.

(**caution:  may contain spoilers**) There are two potential ways to view Cabin in the Woods, and two ways in which it may have been constructed, as entertainment or as criticism. It attempts to make the most of both and, unfortunately, is less for it. The concept of the film, established …

Prometheus begins with a standard but solid literary SF premise - scientists searching for the origin of life - but ends in a typical sci-fi movie fashion.

Although, as with many Bonds, the globe-trotting middle portion drags, Skyfall is all the expected fun of the best Bonds, with a surprising amount of depth.

The Hobbit is a greater technical achievement than its predecessors (or successors really), but nowhere near matching their depth of story.

Looper has a sense of innovation and inventiveness that makes every new revelation pure enjoyment.

In 'Batman: Arkham Asylum,' Batman truly feels like Batman: swinging between overhangs, tracking evidence and confidently taking on half a dozen henchmen at once. This is essentially the closest any normal, non-psychotic person can come at this point to actually being Batman. This game is widely considered a classic already and for good reason. It's superb.