Movies

The Green Knight is not a film in which a lot of stuff really happens. It's not an easy or breezy viewing experience. Instead, it's a film that gives as much as it receives.

'Axanar' was a project with great promise, a fan film that could've been done right. Instead, it turned into a prime example of toxic fandom.

"What if we made John Wick but replaced all the tedious character development with women shooting people?"

An old show biz adage says: Always leave them wanting more. The saddest thing is, with 'Black Widow' and Natasha Romanoff, we already know there isn't.      

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There's a zombie tiger! There's a dude who carries a giant buzzsaw into a city over run by zombies! Turn off the somber acoustic cover of "Bad Moon Rising" and have some ******* fun!

If you're a fan of what Synder's done in the past, then "Zack Snyder's Justice League" is four hours of what you loved. If you were not a fan of previous Snyderverse films, then this is four hours of what you did not enjoy the first time.

It's great when audiences celebrate a film, including "Coming to America," but it's a lot less meaningful when a film celebrates itself.

If you’ve ever met John Rhys-Davies, you feel dwarfed in his presence. No pun intended. The star of epic films like Raiders of the Lost Ark, Lord of the Rings¸ his numerous appearances on stage, screen and television, is one of those actors whose presence can overwhelm an audience with …

'Soul' is the kind of film you show children when they still see the opportunity of play in everyday things like fallen leaves or their own two legs, and adults when they forget that they too were born to play.

'Wonder Woman 1984' has a handful of pretty moments held together by strong performers and a lot of goodwill. But it could have been more.

Despite its technical mastery, surprising relevance, and outstanding performances by Gary Oldman and Amanda Seyfried, there is something missing from 'Mank.'

We sat down with filmmaker Jay Baruchel and comics creator Jimmy Palmiotti to talk about their adaption of 'Random Acts of Violence.'

The trouble with 'Tenet' is that after so many mindbenders, audiences have reshaped themselves to Christopher Nolan's machinations. Once bent, an object never goes back into shape.

As a film audience it is our obligation to decide what we will allow in our art. If we are offended or invested, we are giving it power. If we feel nothing, we are taking its power away. "Performaniax" makes us question why we grant art this power.