Pop Mythology Pop Mythology: Movie, Book, Comic and Game reviews & commentary
Fear can be so powerful but it can also be a subtle influencer. The little, …
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22 hours ago
Captain Kirk’s Weekly Comic Review – 09/18/2019
Fear can be so powerful but it can also be a subtle influencer. The little, every-day fears in our l…
7 days ago
Creatures from myth that live inside your home
Household creatures and beings have long been worshiped, and stories about how they can help or hind…
1 week ago
Captain Kirk’s Weekly Comic Review – 09/11/2019
I’ve been struggling with a theme for this week. I think it’s because I’m after that initial stage o…
2 weeks ago
Captain Kirk’s Weekly Comic Review – 09/04/2019
It’s the end of the summer and September is often a month associated with new beginnings. For a lot …
3 weeks ago
Captain Kirk’s Weekly Comic Review – 08/27/2019
I’ve been talking comics all weekend … so why should the rest of the week be any different? I just f…
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REVIEW: Samuel L. Jackson cranks up the laughs and antics in ‘Shaft’
While not politically correct, and likely to offend some viewers, 'Shaft' cranks up the humor, antics, and action enjoyably enough to merit a light viewing.
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REVIEW: ‘Spider-Man: Far From Home’ pushes Spider-Man, and the MCU, into the future
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REVIEW: ‘Toy Story 4’ is Pixar’s attempt to move on
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The welcoming Spider-Verse: Finding your ‘self’ in a web of others
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REVIEW: ‘Dark Phoenix’ is bad—not funny-bad or offensive-bad, just bad
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REVIEW: Go underground with the preppers for ‘Apocalypse Any Day Now’
Tea Krulos takes another look at eccentric Americans in 'Apocalypse Any Day Now.' As usual, he lets his oddball subjects speak for themselves without rendering overt comment on their beliefs. Krulos’ engagement with this world helps his subjects open up to him and also makes for a more entertaining book than a more conventional, arms-length journalistic exercise. 'Apocalypse Any Day Now' is a fun and funny, but never mocking, dive into the bizarre world of doomsday preppers.
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REVIEW: ‘Blood Communion’ helps us come to terms with our mortality
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REVIEW: ‘What Remains of Her’ is Eric Rickstad’s best one yet
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REVIEW: ‘Death Doesn’t Bargain’ doesn’t entertain
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REVIEW: Christopher Rice explores new genre territory in gripping ‘Bone Music’