Pop Mythology Pop Mythology: Movie, Book, Comic and Game reviews & commentary
You ever have one of those weeks that’s just jam-packed with activity? Not annoying or …
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3 days ago
Captain Kirk’s Weekly Comic Review – 03/20/2019
You ever have one of those weeks that’s just jam-packed with activity? Not annoying or menial tasks,…
4 days ago
REVIEW: ‘The Magnificent Ms. Marvel’ #1 is marvelous
The new creative team of Ahmed and Jung are off to a strong start in 'The Magnificent Ms. Marvel.' …
1 week ago
Captain Kirk’s Weekly Comic Review – 03/13/2019
In this day and age, we can be so pre-occupied with image; how we appear. Our self-conscientiousness…
2 weeks ago
REVIEW: After a shaky start ‘Captain Marvel’ tosses away its shackles
During one particularly poignant sequence, I imagined my friend in the seat next to me showing 'Capt…
2 weeks ago
Captain Kirk’s Weekly Comic Review – 03/06/2019
There are some days when you feel like you’re being attacked on all fronts. It’s a legitimate feelin…
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REVIEW: After a shaky start ‘Captain Marvel’ tosses away its shackles
During one particularly poignant sequence, I imagined my friend in the seat next to me showing 'Captain Marvel' to his two-year-old daughter and the broad smile on her face upon realizing that she too can stand up every time she's knocked down.
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REVIEW: ‘Alita: Battle Angel’ is the best American manga adaptation ever
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REVIEW: The Lego Universe holds together in ‘The Lego Movie 2: The Second Part’
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Pop Mythology’s Ten Best Movies of 2018
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REVIEW: The pieces of ‘Glass’ come together before being shattered
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REVIEW: ‘Blood Communion’ helps us come to terms with our mortality
Many of us may have harbored secret longings for immortality. But perhaps, in watching a fictional immortal embrace his internal humanity through loss, we can discover ways to come to terms with our perishability.
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REVIEW: ‘What Remains of Her’ is Eric Rickstad’s best one yet
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REVIEW: ‘Death Doesn’t Bargain’ doesn’t entertain
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REVIEW: Christopher Rice explores new genre territory in gripping ‘Bone Music’
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REVIEW: Stephen Fry’s ‘Mythos’ retells Greek myths in a fresh, exciting way