Pop Mythology Pop Mythology: Movie, Book, Comic and Game reviews & commentary
We like continuity; I think it’s a natural state of humanity. But I think humanity …
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11 hours ago
REVIEW: Samuel L. Jackson cranks up the laughs and antics in ‘Shaft’
While not politically correct, and likely to offend some viewers, 'Shaft' cranks up the humor, antic…
2 days ago
Captain Kirk’s Weekly Comic Review – 07/10/2019
We like continuity; I think it’s a natural state of humanity. But I think humanity also thrives on a…
1 week ago
Captain Kirk’s Weekly Comic Review – 07/03/2019
Plain and simple: the future concerns me. That’s the theme for this week as we enter into the first …
1 week ago
REVIEW: ‘Spider-Man: Far From Home’ pushes Spider-Man, and the MCU, into the future
By now we should all know the phrase (credited to Ben Parker) which governs Spider-Man’s exist…
2 weeks ago
Captain Kirk’s Weekly Comic Review – 06/26/2019
We believe in the magic of things unseen because too often what we see on a regular basis lets us do…
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REVIEW: Samuel L. Jackson cranks up the laughs and antics in ‘Shaft’
While not politically correct, and likely to offend some viewers, 'Shaft' cranks up the humor, antics, and action enjoyably enough to merit a light viewing.
Read More » -
REVIEW: ‘Spider-Man: Far From Home’ pushes Spider-Man, and the MCU, into the future
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REVIEW: ‘Toy Story 4’ is Pixar’s attempt to move on
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The welcoming Spider-Verse: Finding your ‘self’ in a web of others
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REVIEW: ‘Dark Phoenix’ is bad—not funny-bad or offensive-bad, just bad
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REVIEW: Go underground with the preppers for ‘Apocalypse Any Day Now’
Tea Krulos takes another look at eccentric Americans in 'Apocalypse Any Day Now.' As usual, he lets his oddball subjects speak for themselves without rendering overt comment on their beliefs. Krulos’ engagement with this world helps his subjects open up to him and also makes for a more entertaining book than a more conventional, arms-length journalistic exercise. 'Apocalypse Any Day Now' is a fun and funny, but never mocking, dive into the bizarre world of doomsday preppers.
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REVIEW: ‘Blood Communion’ helps us come to terms with our mortality
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REVIEW: ‘What Remains of Her’ is Eric Rickstad’s best one yet
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REVIEW: ‘Death Doesn’t Bargain’ doesn’t entertain
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REVIEW: Christopher Rice explores new genre territory in gripping ‘Bone Music’