Pop Mythology Pop Mythology: Movie, Book, Comic and Game reviews & commentary
Whatever happened to the simple pursuit of crafting a good story? For that matter, whatever …
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3 hours ago
REVIEW: Go underground with the preppers for ‘Apocalypse Any Day Now’
Tea Krulos takes another look at eccentric Americans in 'Apocalypse Any Day Now.' As usual, he lets …
11 hours ago
Captain Kirk’s Weekly Comic Review – 05/15/2019
Whatever happened to the simple pursuit of crafting a good story? For that matter, whatever happened…
1 day ago
REVIEW: ‘Symbiote Spider-Man’ #2 is stuck in the 80s
A retro Spidey piece that no one really wanted, much less needed. Not a bad story, just not necessar…
1 week ago
Captain Kirk’s Weekly Comic Review – 05/08/2019
At what point in a story does an adventurer know fear? If it’s Conan the Barbarian we’re talking abo…
1 week ago
REVIEW: ‘Medusa Undone’ is a masterful retelling of the character’s origins
'Medusa Undone' is billed as an exploration of “the social problem of rape culture, our tendency to …
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REVIEW: ‘Avengers: Endgame’ does the impossible
There are fourteen million six hundred and five ways in which "Avengers: Endgame" could have been made, but none in which it could have been better.
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REVIEW: Kids will enjoy ‘Shazam!’ but as for anyone else….
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REVIEW: After a shaky start ‘Captain Marvel’ tosses away its shackles
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REVIEW: ‘Alita: Battle Angel’ is the best American manga adaptation ever
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REVIEW: The Lego Universe holds together in ‘The Lego Movie 2: The Second Part’
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REVIEW: Go underground with the preppers for ‘Apocalypse Any Day Now’
Tea Krulos takes another look at eccentric Americans in 'Apocalypse Any Day Now.' As usual, he lets his oddball subjects speak for themselves without rendering overt comment on their beliefs. Krulos’ engagement with this world helps his subjects open up to him and also makes for a more entertaining book than a more conventional, arms-length journalistic exercise. 'Apocalypse Any Day Now' is a fun and funny, but never mocking, dive into the bizarre world of doomsday preppers.
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REVIEW: ‘Blood Communion’ helps us come to terms with our mortality
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REVIEW: ‘What Remains of Her’ is Eric Rickstad’s best one yet
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REVIEW: ‘Death Doesn’t Bargain’ doesn’t entertain
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REVIEW: Christopher Rice explores new genre territory in gripping ‘Bone Music’